Basic Information
| Item | Details |
|---|---|
| Full name | Cristina Zuccatosta |
| Also known as | Cristina “Titi” Zuccatosta; sometimes appears as Cristina Zuccatosta Patton |
| Marital / relationship status | Married to musician Mike Patton (married 1994; later public reports note a separation around 2001 and subsequent reconciliation) |
| Children | No children publicly reported |
| Profession / public role | Visual artist, designer; credited with design/layout work on projects associated with Mike Patton’s circle |
| Public records / mentions | Associated with property ownership records and an indexed family-court matter in 2014; active in social and fan communities via images and portfolio references |
| Net worth | No reliable, verifiable public figure available |
The Background — a backstage portrait
I like to think of Cristina Zuccatosta as the person who paints the margins of a rock star’s biography with quiet, exact strokes. She’s not the lead singer on stage; she’s the designer who makes the album look like a world. In plain terms: Cristina emerges in public-facing places as a visual artist and creative collaborator, and in private as the longtime partner of Mike Patton — an unlikely combination that reads like a cult-film montage: art-school sensibility meets avant-garde rock.
She first appears in music-world footnotes and album credits under names that nod at intimacy — “Titi,” “Cristina Patton,” design credits on label projects — and that’s a clue to how much of her life has been lived off-camera. The headline facts are simple: married in 1994 to Patton, a highly visible musician known for Faith No More and Mr. Bungle; later reports of separation circa 2001; later reconciliations and continued association. But between those timestamps is a career of visual work that surfaces mainly in liner notes, design portfolios, and the look-and-feel of independent label releases.
Career & Creative Identity
I’ll say this plainly: Cristina’s creative fingerprint shows up in design and visual-art arenas connected to the independent music world. She’s credited on several projects as a layout or design contributor — the kind of behind-the-scenes role that shapes how an album feels before you even press play. Think of her work as the cinematic color-grading before the first cut: subtle, directional, crucial.
Numbers and dates we can pin down with reasonable certainty:
- 1994 — marriage to Mike Patton.
- 2000s–2010s — recurring design/layout credits on independent releases (various label materials).
- 2014 — appearance in a publicly indexed family-court matter (indexed; no sensational details here — just a public record).
She’s not a “celebrity” in the tabloid sense, so much of the résumé lives in small credits and visual archives — portfolio pages, design listings, and album sleeves that fans pore over like archaeologists. That’s an artist’s life in miniature: work scattered across artifacts rather than condensed into a single gallery show.
Family & Personal Relationships — meet the names
| Family member | Introduction |
|---|---|
| Mike Patton (spouse) | Mike Patton is a vocalist and composer known for Faith No More, Mr. Bungle, Fantômas, Tomahawk, and a slew of experimental collaborations; he and Cristina married in 1994 and their relationship — at times private, at times the subject of fan curiosity — has anchored much of the public reference to her. |
| Other family members | There are no widely verifiable public names for parents, siblings, or children linked to Cristina; official public records and fan resources consistently identify her primarily through partnership and professional credits. |
Introduce Mike Patton briefly, because in the public imagination Cristina is often seen in relation to his orbit: he’s the flamboyant lead — mercurial voice, many projects — while she is structural, making the visuals and the margins make sense. In the press, the shorthand has often been that they are a couple who split and later reconciled; beyond that, the family story is muted, domestic, and largely private.
Public Records, Property, and the Public Eye
I won’t sensationalize paperwork — but I also won’t pretend it doesn’t exist. Cristina’s name appears in publicly indexed records: property ownership entries and at least one family-court index entry in the 2010s. Those are bureaucratic footprints, not gossip fodder; they tell us she’s a person who has navigated the same civic paperwork any adult does — deeds, filings, the small administrative arcs that finish the human story.
Social life and online mentions are another strand: fan forums, image reposts, and social accounts that use her married name keep a collage of photos and references alive. The net effect is curious — a life assembled from album credits, a marriage to an unmistakable frontman, and a few public-index breadcrumbs.
Aesthetic & Public Persona: the scenes she sets
If you’re a pop-culture person, picture this: Cristina is the production designer in an indie film about a band’s European summer — she’s the one choosing wallpaper, typography, the exact shade of red for a tour poster. Her public persona is a low-beat, art-house counterpoint to Patton’s electric theatricality. She cares about frames, composition, and the tiny decisions that make a piece of art readable.
That “insider” vibe — a spouse who is an artist in her own right, contributing quietly to a creative ecosystem — is the story fans keep returning to. It’s a narrative of collaboration, of a creative marriage that hums behind louder projects.
Timeline
| Year | Event |
|---|---|
| 1994 | Cristina and Mike Patton married. |
| ~2001 | Public reports note a separation. |
| 2014 | Name appears in an indexed family-court record (publicly filed/indexed). |
| 2000s–2010s | Design/layout credits and portfolio mentions appear across projects tied to the independent music and art community. |
Persona & Presence
I’ve walked through forums, scanned portfolios, and read liner notes like a detective—or like someone assembling a mixtape from fragments. The image that emerges is a person who values craft over spotlight, whose public impression is threaded through collaboration, design, and a private life that resists tabloid condensation. She’s a quiet architect — and that phrase sticks, because it’s the right one: she builds the sets where someone else performs.
FAQ
Who is Cristina Zuccatosta?
Cristina Zuccatosta is a visual artist and designer who is publicly known for design credits and as the spouse of musician Mike Patton.
Are Cristina and Mike Patton married?
Yes — they married in 1994; public accounts also reference a separation around 2001 and later reconciliation.
Does Cristina have children?
No children are publicly reported.
What does Cristina do for a living?
She is credited as a designer and visual artist on several projects, particularly in the independent music and label sphere.
What is Cristina’s net worth?
There’s no reliable public figure for Cristina’s net worth; widely circulating estimates are unverifiable.
Are there public records about Cristina?
Her name appears in publicly indexed property and family-court records, which are administrative public documents rather than narrative sources.
